{"id":652,"date":"2023-01-21T01:09:39","date_gmt":"2023-01-21T00:09:39","guid":{"rendered":"https:\/\/cszmb.cz\/?page_id=652"},"modified":"2023-12-12T09:20:16","modified_gmt":"2023-12-12T08:20:16","slug":"2022-02","status":"publish","type":"page","link":"https:\/\/cszmb.cz\/en\/2022-02\/","title":{"rendered":"2022-02"},"content":{"rendered":"

\u010cASOPIS SZM, s\u00e9rie B \u2013 V\u011aDY HISTORICK\u00c9 LXXI \/ 2 \/ 2022<\/h1>\n\n\n\n

\u201eNOV\u011a OBJEVEN\u00c9\u201c PORTR\u00c9TY JOHANNA DEMELA RYT\u00cd\u0158E VON ELSWEHR A KARLA WILHELMA RYT\u00cd\u0158E VON DIETRICH VE SB\u00cdRCE SZM<\/a><\/h2>\n\n\n\n

\u201eNewly discovered\u201d Portraits of Johann Demel Ritter von Elswehr and Karl Wilhelm Ritter von Dietrich in the Silesian Museum Collection<\/h3>\n\n\n\n

Michal Vale\u010dek<\/h4>\n\n\n\n

The article details the circumstances of the creation of the portraits of two members of the Silesian Land Assembly, Johann Demel Ritter von Elswehr and Karel Wilhelm Ritter von Dietrich, which are in the collection of the Silesian State Museum. Ever since the two portraits were accepted into the collection, they were mistakenly identified as portraits of Emil Grohmann and Emanuel Glassner, and, under these names, they were also published and made available at exhibitions of the Silesian Museum in recent years. Therefore, in addition to the contract itself, the article also deals with the identification of both personalities, and also includes a pictorial supplement proving its correctness.<\/h5>\n\n\n\n

PO\u010c\u00c1TKY \u010cESKOSLOVENSK\u00c9HO SOUDNICTV\u00cd V OBVODU ZEMSK\u00c9HO SOUDU V OPAV\u011a<\/a><\/h2>\n\n\n\n

Begunning of Czechoslovak Justice Administration in Precint of Provincial Court in Opava<\/h3>\n\n\n\n

Pavel \u017d\u00eddek<\/h4>\n\n\n\n

The establishment of the Czechoslovak Republic in 1918 started a series of changes in judiciary system of the state. The aim of the paper is to look at some of the effects of these changes and the resulting problems at the example of Provincial Court in Opava.<\/h5>\n\n\n\n

V\u00ddTVARN\u00cdK JAN SL\u00c1DEK (1906\u20131982) <\/a><\/h2>\n\n\n\n

Artist Jan Sl\u00e1dek (1906\u20131982)<\/h3>\n\n\n\n

Lenka Vale\u010dkov\u00e1<\/h4>\n\n\n\n

Painter, graphic artist and scenographer Jan Sl\u00e1dek is a representative of the interwar art of the Ostrava region.\nTogether with Augustin Handzel, Vladim\u00edr Kristin and Bohum\u00edr Dvorsk\u00fd, he was a member of the progressive branch of the Moravian-Silesian Association of Visual Artists, a member of the Group of Visual Artists in Brno, and, together, they were at the birth of the group Visual Artists \u2013 Moravian Ostrava. In his artistic creation, Sl\u00e1dek was an autodidact, and, even though he was able to compete with his artistic companions from the ranks of academic artists and as a stage artist to gain a national reputation crowned with a number of awards. He started working for the theatre in 1930, when he established a collaboration with the director Jan \u0160koda on the stage of the Moravian-Silesian National Theatre in Ostrava. Throughout his long career, he created designs for more than 500 productions for dozens of theatres. Sl\u00e1dek stands at the birth of modern Czech scenography; he immediately recognized the need and importance of a stage designer for the dramatic outline of the play, he introduced a new avant-garde concept to the productions, he was not afraid of experiments and started working with atypical materials and means of expression until then.<\/h5>\n\n\n\n

V\u00ddVOJ MAKEDONSK\u00c9 N\u00c1RODNOSTN\u00cd MEN\u0160INY V \u010cESK\u00ddCH ZEM\u00cdCH OD ROKU 1948 PO SOU\u010cASNOST<\/a><\/h2>\n\n\n\n

The Development of the Macedonian National Minority in the Czech Lands from 1948 to the Present<\/h3>\n\n\n\n

Dimitris Atanasiadis<\/h4>\n\n\n\n

The presented study aims to map the political and social development of the Macedonian national minority in the Czech lands, which was significantly influenced by various political aspects. Therefore, the issue itself cannot be examined without a wider context. In this sense, the author also deals with the post-war development of the Macedonian issue, which, in the 20th century, significantly influenced the politics of a number of states of the Balkan Peninsula. Within the minority we are following, it is primarily a mutual relationship between Greeks and Macedonians, which was formed in the atmosphere of the development of the Macedonian issue. From the point of view of the Greeks, it is a traumatic phenomenon that Greek politics has not been able to come to terms with to this day. It goes without saying that these contradictions were also manifested within the Greek Macedonian community in Czechoslovakia. The efforts of directive management of the Macedonian minority by the Communist Party of Greece gradually created a mutual atmosphere of mistrust and alienation, which intensified even more in connection with the emergence of an independent Macedonian state in the early 1990s.<\/h5>\n\n\n\n

HISTORIE V\u00ddROBY OCELOV\u00ddCH LAHV\u00cd VE V\u00cdTKOVIC\u00cdCH. \u010c\u00c1ST III.: OD MODERNIZACE PO PRIVATIZACI PROVOZU<\/a><\/h2>\n\n\n\n

History of Steel Bottle Production in V\u00edtkovice. Part III.: From Modernisation to Privatisation of the Factory<\/h3>\n\n\n\n

Ond\u0159ej \u0160tarman \u2013 Luk\u00e1\u0161 Lisn\u00edk<\/h4>\n\n\n\n

The text represents the third and closing part of the study, focusing on history of production of metal bottles in V\u00edtkovice Ironworks. Thanks to excerption of primary sources from the factory archive the article depicts the development of the plant fromearly 1980s, with regard to the modernisation, till the privatisation in late 1990s. The ending part briefly describes the last years of the factory. <\/h5>\n\n\n\n

Material Studies<\/a><\/h2>\n\n\n\n

Baltazar Weintritt a jeho mal\u00ed\u0159sk\u00e1 v\u00fdzdoba d\u0159ev\u011bn\u00fdch empor farn\u00edch kostel\u016f v Horn\u00edm M\u011bst\u011b a R\u00fdma\u0159ov\u011b (Leo\u0161 Ml\u010d\u00e1k)<\/h3>\n\n\n\n

Socha\u0159 Engelbert Kaps v Doma\u0161ov\u011b nad Byst\u0159ic\u00ed (Pavel \u0160op\u00e1k)<\/h3>\n\n\n\n

Recenze a zpr\u00e1vy o literatu\u0159e<\/a><\/h2>\n\n\n\n

Marian HOCHEL \u2013 Ond\u0159ej HANI\u010c\u00c1K \u2013 Ji\u0159\u00ed \u0160\u00cdL \u2013 Romana ROSOV\u00c1 a kol., 1820. Opavsk\u00fd kongres. K\u0159i\u017eovatka evropsk\u00e9 diplomacie (Pavel \u017d\u00eddek)<\/h3>\n\n\n\n

Radim JE\u017d \u2013 David PINDUR \u2013 Pavla PINDUROV\u00c1 a kol., \u0158epi\u0161t\u011b: historie slezsk\u00e9 obce (Ivana Malou\u0161kov\u00e1)<\/h3>\n\n\n\n

Jarom\u00edra KNAP\u00cdKOV\u00c1, Emilie Maria Gudrichov\u00e1 (1888\u20131970): Pr\u016fkopnice \u010desk\u00e9ho mate\u0159sk\u00e9ho \u0161kolstv\u00ed ve Slezsku a b\u00e1sn\u00ed\u0159ka (Zden\u011bk Kravar)<\/h3>\n\n\n\n

Viktor VELEK, Hudebn\u00ed um\u011blci mezi Ostravou a V\u00eddn\u00ed \/ Tonk\u00fcnstler zwischen Ostrau und Wien 2, \u010cesk\u00fd Caruso Richard Kubla \/ Richard Kubla der tschechische Caruso (Sylva Pracn\u00e1)<\/h3>\n\n\n\n

Viktor VELEK (ed.), Hudebn\u00ed um\u011blci mezi Ostravou a V\u00eddn\u00ed \/ Tonk\u00fcnstler zwischen Ostrau und Wien 4, Richard Kubla: M\u016fj \u017eivot s operou \/ Mein Leben mit der Oper (Sylva Pracn\u00e1)<\/h3>\n\n\n\n

Expozice Na\u0161i N\u011bmci v Muzeu m\u011bsta \u00dast\u00ed nad Labem (Ond\u0159ej Kol\u00e1\u0159)<\/h3>\n\n\n\n

Chronicle<\/a><\/h2>\n\n\n\n

Za J\u00e1nem Kadlecem (Ond\u0159ej Kol\u00e1\u0159)<\/h3>\n\n\n\n

Zdenka Vorlov\u00e1-Vl\u010dkov\u00e1 na Ostravsku. K 150. v\u00fdro\u010d\u00ed narozen\u00ed (Pavel \u0160op\u00e1k)<\/h3>","protected":false},"excerpt":{"rendered":"

\u010cASOPIS SZM, s\u00e9rie B \u2013 V\u011aDY HISTORICK\u00c9 LXXI \/ 2 \/ 2022 \u201eNOV\u011a OBJEVEN\u00c9\u201c PORTR\u00c9TY JOHANNA DEMELA RYT\u00cd\u0158E VON ELSWEHR A KARLA WILHELMA RYT\u00cd\u0158E VON DIETRICH VE SB\u00cdRCE SZM \u201eNewly discovered\u201d Portraits of Johann Demel Ritter von Elswehr and Karl Wilhelm Ritter von Dietrich in the Silesian Museum Collection Michal Vale\u010dek The article details the… Continue reading 2022-02<\/span><\/a><\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-652","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/cszmb.cz\/en\/wp-json\/wp\/v2\/pages\/652","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cszmb.cz\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cszmb.cz\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cszmb.cz\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cszmb.cz\/en\/wp-json\/wp\/v2\/comments?post=652"}],"version-history":[{"count":3,"href":"https:\/\/cszmb.cz\/en\/wp-json\/wp\/v2\/pages\/652\/revisions"}],"predecessor-version":[{"id":699,"href":"https:\/\/cszmb.cz\/en\/wp-json\/wp\/v2\/pages\/652\/revisions\/699"}],"wp:attachment":[{"href":"https:\/\/cszmb.cz\/en\/wp-json\/wp\/v2\/media?parent=652"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}