{"id":213,"date":"2021-10-17T22:12:28","date_gmt":"2021-10-17T20:12:28","guid":{"rendered":"https:\/\/cszmb.cz\/?page_id=213"},"modified":"2021-11-11T14:53:05","modified_gmt":"2021-11-11T13:53:05","slug":"2020-02","status":"publish","type":"page","link":"https:\/\/cszmb.cz\/en\/2020-02\/","title":{"rendered":"2020-02"},"content":{"rendered":"

\u010cASOPIS SZM, s\u00e9rie B \u2013 V\u011aDY HISTORICK\u00c9 LXIX \/ 2 \/ 2020<\/h1>\n\n\n\n

Editorial<\/a><\/h2>\n\n\n\n

Vojt\u011bch Pokorn\u00fd<\/em><\/h3>\n\n\n\n

Barokn\u00ed kostel sv. \u0160ebesti\u00e1na v T\u0159eme\u0161n\u00e9 na Osobla\u017esku<\/a><\/h2>\n\n\n\n

Baroque Church of St. Sebastian in T\u0159eme\u0161n\u00e1 in the Osoblaha Region<\/h3>\n\n\n\n

Dalibor Prix<\/h4>\n\n\n\n

The article describes the construction of the baroque Church of St. Sebastian in T\u0159eme\u0161n\u00e1 in the Osoblaha region in the so-called Moravian enclaves in Silesia in the period from 1730 to 1733. Franz Schw\u00e4bischer, a parish priest in Lipta\u0148, who used the services of Felix Anton Hammerschmied, a court builder of the Elector, Archbishop of Mainz, Bishop of Wroc\u0142aw and Grand Master of the Teutonic Knights, Franz Ludwig von Pfalz-Neuburg in Nisa, was the initiator of the construction. Based on the comparison of the church in T\u0159eme\u0161n\u00e1 with the church of St. Tomas in Doln\u00ed Dom\u00e1\u0161ov in the Jesen\u00edky region, which was also built by Hammerschmied, this paper attempts to examine the characteristics of the personal style of this well-known builder.<\/h5>\n\n\n\n

Franz Peschel, profesor gymn\u00e1zia v Jesen\u00edku, turista, muzejn\u00edk a \u201eTraditionstr\u00e4ger\u201c<\/a><\/h2>\n\n\n\n

Franz Peschel, professor at the grammar school in Jesen\u00edk, tourist, museologist and \u201eTraditionstr\u00e4ger\u201d<\/h3>\n\n\n\n

Kv\u011btoslav Growka<\/h4>\n\n\n\n

In the life story of a Silesian native, Franz Peschel (1889\u20131968), professor and director of the grammar school in Jesen\u00edk, a tourist and a museum worker, we look for the reasons why this educated man succumbed to the Nazi ideology during the Sudeten crisis of 1938 and voluntarily joined the army during World War II. After moving to Germany, he returned to cultivated work in education and the federal life of the Sudeten Germans, for which he was called a \u201ctradition bearer\u201d (\u201cTraditionstr\u00e4ger\u201d).<\/h5>\n\n\n\n

Karl Dohlenschall a Policejn\u00ed v\u00fdstava v Opav\u011b 1913 <\/a><\/h2>\n\n\n\n

Karl Dohlenschall and the Police Exhibition in Opava 1913<\/h3>\n\n\n\n

Ond\u0159ej Kol\u00e1\u0159<\/h4>\n\n\n\n

The study describes the situation related to staging the Opava Police Exhibition in 1913 in the context of the contemporary development of criminology and changes in the social perception of the police. The initiators of the exhibition and their motivation are the subject of interest. We look at the topic in the context of security and social conditions of the Moravian-Silesian border region.<\/h5>\n\n\n\n

Muzeum barevn\u00e9 fotografie <\/a><\/h2>\n\n\n\n

Museum of Colour Photography<\/h3>\n\n\n\n

Luk\u00e1\u0161 B\u00e1rtl<\/h4>\n\n\n\n

The text deals with the unimplemented project of the Museum of Colour Photography, which was to be established in Opava, near the Silesian Museum. The present study seeks to map the process that led from the idea of commemorating Karel Schinzel, a chemist from Opava, who was one of the co-creators of the three-layer colour negative, to the unimplemented architectural studies of the museum from the 1970s. At the same time, it processes not only the press from that period, but also the archives of the Silesian Museum and other institutions involved, or personal correspondence between the main actors, namely Rudolf Skopec and Arno\u0161t Pustka.<\/h5>\n\n\n\n

\u010cesk\u00e1 stopa p\u0159i zalo\u017een\u00ed a po\u010d\u00e1te\u010dn\u00edm rozvoji Mezin\u00e1rodn\u00ed komise pro muzeologii ICOFOM<\/a><\/h2>\n\n\n\n

Czech Footprint in the Establishment and Initial Development of the International Committee for Museology ICOFOM<\/h3>\n\n\n\n

Otakar Kirsch \u2013 Lucie Jago\u0161ov\u00e1<\/h4>\n\n\n\n

The study presented analyzes the share of representatives of the Czech, or Czechoslovak, museology on the activities of the International Committee for Museology operating within the International Council of Museums, which, for more than 40 years, has been a major influencer of the museological discourse. It focuses mainly on the first decade of its existence; in addition to the Czech influence, the subsequent participation in the individual activities, organization and thought formation of this association, where Jan Jel\u00ednek, Zbyn\u011bk Zbyslav Str\u00e1nsk\u00fd and Vino\u0161 Sofka played a significant role, became a subject of interest. The research used not only foreign publications devoted to the history of the committee, but also so far not much reflected period materials and information sources of an archival nature.<\/h5>\n\n\n\n

Material Studies<\/a><\/h2>\n\n\n\n

N\u00e1lez bronzov\u00e9ho me\u010de na katastru V\u00edtkova (okr. Opava) (Ji\u0159\u00ed Juchelka)<\/em><\/h3>\n\n\n\n

Material Studies<\/a><\/h2>\n\n\n\n

Varhany ze zanikl\u00e9 obce Kerhartice (Ji\u0159\u00ed Kr\u00e1tk\u00fd)<\/em><\/h3>\n\n\n\n

Anniversaries<\/a><\/h2>\n\n\n\n

Rozhovor s Pavlem \u0160op\u00e1kem (Ond\u0159ej Kol\u00e1\u0159, Vojt\u011bch Pokorn\u00fd)<\/em><\/h3>\n\n\n\n

Anniversaries<\/a><\/h2>\n\n\n\n

Bibliografie Pavla \u0160op\u00e1ka (Vojt\u011bch Pokorn\u00fd)<\/em><\/h3>\n\n\n\n

Reviews<\/a><\/h2>\n\n\n\n

Igor HORNI\u0160ER, St\u0159eleck\u00e9 ter\u010de ve sb\u00edrce Muzea v Brunt\u00e1le, Brunt\u00e1l 2019, 79 s. (Petr Vojtal)<\/em><\/h3>","protected":false},"excerpt":{"rendered":"

\u010cASOPIS SZM, s\u00e9rie B \u2013 V\u011aDY HISTORICK\u00c9 LXIX \/ 2 \/ 2020 Editorial Vojt\u011bch Pokorn\u00fd Barokn\u00ed kostel sv. \u0160ebesti\u00e1na v T\u0159eme\u0161n\u00e9 na Osobla\u017esku Baroque Church of St. Sebastian in T\u0159eme\u0161n\u00e1 in the Osoblaha Region Dalibor Prix The article describes the construction of the baroque Church of St. Sebastian in T\u0159eme\u0161n\u00e1 in the Osoblaha region in… Continue reading 2020-02<\/span><\/a><\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-213","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/cszmb.cz\/en\/wp-json\/wp\/v2\/pages\/213","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cszmb.cz\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cszmb.cz\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cszmb.cz\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cszmb.cz\/en\/wp-json\/wp\/v2\/comments?post=213"}],"version-history":[{"count":8,"href":"https:\/\/cszmb.cz\/en\/wp-json\/wp\/v2\/pages\/213\/revisions"}],"predecessor-version":[{"id":567,"href":"https:\/\/cszmb.cz\/en\/wp-json\/wp\/v2\/pages\/213\/revisions\/567"}],"wp:attachment":[{"href":"https:\/\/cszmb.cz\/en\/wp-json\/wp\/v2\/media?parent=213"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}